President is a new, Oscar-shortlisted feature documentary examining the controversial 2018 presidential election in Zimbabwe through stunningly close access. It’s raw, it’s gripping, it’s history in the making and it’s a real story that other nations can witness and learn from.

In this episode, Anna unpacks the riveting documentary with its director, Camilla Nielsson. First up, Camilla discusses President as a sequel to her film Democrats, and touches on some of her experiences during the three years of filming. Camilla opens up about the brutal reality and traumatic nature of being caught up in gunfire. She also discusses how Zimbabwean politics affect the women of the nation, and can subject them to violence if they attempt to speak out.

Next, Anna is joined by film producer Signe Byrge Sørensen, who co-founded Final Cut for Real, the production company behind the film. Signe talks about the most rewarding parts of making this film and gives advice to female filmmakers and producers around the world. Speaking to Anna alongside Signe is Equity, Inclusion and Diversity consult Patricia Chinyoka, who also founded Women of Zimbabwe, which supports female-led projects in the country. Patricia shares her thoughts on the film and her experience of watching it at the premiere and witnessing the reactions of others. Signe and Patricia then talk about the latest political developments in Zimbabwe.

This episode celebrates the film CODA, which has been longlisted for seven British Academy Film Awards: for Best Film, Director and Adapted Screenplay, for Leading Actress and Supporting Actor, for Casting, and for Sound. The uplifting comedy-drama follows Ruby (Emilia Jones) a 17-year-old CODA (Child of Deaf Adults), who finds herself torn between pursuing a future at music school and her fear of abandoning her family.

First, our host Anna speaks to writer-director of CODA, Siân Heder and the film’s leading actress Emilia Jones. The pair discuss the reactions they’ve had to CODA from the deaf community and Siân recalls some of the challenges she overcame making this film. Emilia also reveals to Anna her experience learning multiple skills for this film, including an American accent and learning ASL in nine months.

Next, Anna is joined by two incredible women working to raise awareness for Deaf and disabled audiences. They are Charlotte Little, access consultant and film critic, and Teri Devine, Associate Director for Inclusion at the Royal National Institute for the Deaf. As a CODA herself, Teri discusses the relatability of Ruby’s character and highlights some of the accurate details in the film that really stuck with her, including the humour of discussing sex through ASL. Being partially blind and deaf herself, Charlotte discusses the ways in which she relates to the film and analyses the lack of deaf access we see in the film through the Rossi family’s experiences. Both Teri and Charlotte then discuss CODA through a feminist lens.

An audio transcript of this episode is available to read on the below link or on our Patreon page. We welcome and encourage feedback from our listeners. If you would like to get in touch with us then please reach out on our social media or via email, girlsonfilmsocial@hlaagency.co.uk

In this Scream special, we get to the guts of the iconic horror franchise’s latest instalment – from its feminist chops to its send-up of toxic fan culture. With plenty of the wry riffs on horror tropes we’ve come to expect from the series, Scream sees much-loved mainstay characters join forces with new blood to take down the Ghostface killer. This meta-slasher may be playful, but it takes representation refreshingly seriously.

Our host Anna Smith chats to Jasmin Savoy Brown, who plays Scream newcomer Mindy Meeks-Martin. The Californian star gives us her take on the film’s understated but powerful push for diversity onscreen – and reveals the representational moment that made queer fans cheer.

Plus, we hear details of Scream’s South-Carolina shoot during the political turmoil of the 2020 US Election, and how collaboration and female friendship helped the rising star to deliver her best onscreen and off.

Next, one of our own ‘heritage characters’, podcast regular and horror expert Clarisse Loughrey, teams up with first time guest Ada Enechi – Scream fan and senior producer at Buzzfeed. Our two guest critics join Anna to dive deep into the film’s genre-savvy thrills and bloody spills – and tell us why it could be the perfect gateway movie for the horror-hesitant.

In this episode of Girls On Film, we focus on the fantastic feminist period drama, The Colour Room. The film tells the story of working class Clarice Cliff, the first female ceramist in the pottery factories of Stoke-On-Trent, England, who revolutionised her workplace in the early 20th century. Her mantra? ‘It doesn’t make me any less of an artist to have a little fun at work.’ The Colour Room has a feminist narrative, but it’s also an universal story about following your dreams and believing in your talent.

Our host Anna Smith is joined by the female force behind The Colour Room: four women who epitomise the spirit of Girls On Film. They are the director, Claire McCarthy, the writer Claire Peate and Caspian Films producers Thembisa Cochrane and Georgie Paget. 
Clarice Cliff wanted to enjoy her work and have fun while doing it – and our Girls On Film guests clearly did the same making The Colour Room.

The four discuss their 2022 BAFTA longlisted film, starting from their discovery of Clarice Cliff and her work, to how they came to work together to tell her story.

The conversation delves into Phoebe Dynevor’s and Matthew Goode’s brilliant performances as Clarice Cliff and Colley Shorter.

The Colour Room is now available to watch on Sky Cinema.

Anna Smith is joined by two fantastic actresses and now directors, Maggie Gyllenhaal and Rebecca Hall, to discuss their daring directorial debuts: The Lost Daughter and Passing. Anna is also joined by the star of Passing, Ruth Negga.

First up, Maggie discusses the central themes of motherhood and growth in The Lost Daughter, starring Olivia Colman, Dakota Johnson and Dagmara Dominczyk. Maggie reveals that her main goal was to portray honesty and authenticity; to create a space on screen where the audience would be able to see themselves reflected back at them, with every aspect feeling genuine, rather than a glamorised fantasy. Anna and Maggie then delve into the incredible cast of The Lost Daughter. Maggie talks about her mentality as an actress and choosing the women brave enough to learn something new about themselves.

Next up, Anna is joined by the director and writer of Passing, Rebecca Hall, along with Ruth Negga, who co stars with Tessa Thompson. The film explores racial “passing” and has a fascinating and complicated female friendship at its core. 
As an actress herself, Rebecca discusses what made her turn to directing and why she wanted to tell this incredible story about the moral consequences of racial passing. It’s based on the 1929 novel by Nella Larsen, a book that has a personal resonance for Rebecca, who reveals a family connection to the story. While the film is centred on Ruth Negga’s character, Clare, hiding her true racial identity, Rebecca reveals that her directorial intention was to go deeper than that, by examining the psychological cost of living in any kind of hiding. Ruth Negga goes on to talk about some of the touching audience reactions and discusses how the story holds relevance in today’s society, whether it’s to do with race, gender, queerness or any other form of identity.

Both The Lost Daughter and Passing are available to stream on Netflix now.

In this episode of Girls On Film, we dive into the film Ascension, which has been shortlisted for Best Documentary Feature for the 2022 Academy Awards. The film explores the contemporary Chinese Dream and the paradox of progress in China, as seen through the eyes of filmmaker and editor Jessica Kingdon. 
Jessica joins us and talks about her unique and successful style of filming and editing, and the challenges of gaining access to places usually hidden from the cameras. Her doc is visually driven rather than by character or story and the narrative and teases out its themes, allowing the viewers to draw their own conclusions. Jessica discusses what themes she found interesting to explore from a gender perspective and the challenges she faced in both filming and editing the documentary herself. 
Next, Anna reviews Ascension with critics Ashanti Omkar and Katie Smith-Wong, who discuss the film’s focus on influencers and social media as well as jaw-dropping scenes filmed in a sex doll factory. They talk about the documentary’s amazing access and its depiction of class and hierarchies, as well as the importance of raising awareness of the realities of the industry supply chain.

Ascension is out in the UK on January 14th 2022.

This industry special goes out to anyone who has ever felt mistreated in a workplace. Liesl Tommy, director of the Aretha Franklin biopic ‘Respect’ starring Jennifer Husdon, returns to Girls On Film to dive deeper into the musical and give her thoughts on respect in the film industry. Liesl reveals details about the new DVD release of ‘Respect’, defines what respect means to her in her working life, and gives her thoughts on diversity in film criticism. Anna and Liesl also discuss how respecting other people’s rights and opinions is at the heart of a lot of other movements such as Time’s Up UK. Liesl touches on personal experiences of disrespect and feelings of powerlessness. She goes on to say how these experiences have pushed her, as a director, to create a warm and inclusive environment on set.
Next, Anna is joined by Aretha Franklin fan and CEO of The Film and TV Charity, Alex Pumfrey. Dealing with everything from anxiety to racism, the charity offers free and confidential support services to anybody working behind the scenes in film, TV or cinema. Alex describes respect as a value she holds very close to her heart and talks about joining the charity at a moment when there was a huge global appetite for change. Alex discusses their current 12 month campaign, ‘Let’s Reset’, designed to destigmatise mental health. In light of other movements such as #MeToo and Black Lives Matter, Alex also gives her thoughts on progress for women in the industry. 
If you are working in the film, TV or cinema industry and anything discussed in the episode affects you, please visit filmtvcharity.org.uk/ for more support. 
‘Respect’, starring Jennifer Hudson as Aretha Franklin, is available to own on DVD now for the first time, and includes all new never-before-seen extras.