In this episode Girls On Film is at the 20th edition of Glasgow Film Festival. Anna Smith sits down with Festival Director Allison Gardner, then has an exclusive interview with the director of Love Lies Bleeding Rose Glass, with Oscar-nominated director of The Teacher Farah Nabulsi, and with BAFTA-nominated director of Edge of Summer Lucy Cohen.

First up, Director of GFF Allison Gardner picks out some of her festival highlights, from Ava DuVernay’s Origin to Viggo Mortensen’s The Dead Don’t Hurt which she describes as a ‘feminist western’. Allison talks about the unique programming at GFF with 126 films included at the festival this year. She picks out the ‘Love is sweet oh!’ strand programmed by Tomiwa Folorunso, the ‘Gestures of Memory’ strand programmed by Natasha Thembiso Ruwona, and ‘What Will the Men Wear?’ programmed by Rosie Beattie.

Next up Anna welcomes back Rose Glass to Girls On Film, who first appeared in Episode 60 to discuss her debut Saint Maud, which also showed at GFF in 2019. This year Rose is back with her hotly-anticipated second feature, Love Lies Bleeding, which had its UK premiere as the Opening Gala film at GFF. With Anna, Rose talks about the ‘dream’ casting of Kristen Stewart as moody heartthrob Lou, who meets amateur bodybuilder Jackie when she turns up in Lou’s sleepy hometown. The pair fall hard for one another and Rose describes crafting their fantastical love story, with co-writer Weronika Tofilska, which has ‘one foot in reality, and one foot somewhere stranger’…

Anna also speaks to Oscar-nominated director Farah Nabulsi, whose debut feature The Teacher is showing at GFF. Anna asked Farah about her journey into filmmaking, from a background in business to directing her first short The Present, which went on to be nominated for the 2021 Oscar for Best Live Action Short Film.

Finally, Anna speaks with BAFTA-nominated director Lucy Cohen, whose coming-of-age film Edge of Summer tells the story of 11-year-old Evie on holiday in Cornwall in the early 1990s. When she meets local boy Adam, a mysterious discovery down an old tin mine changes everything. Lucy talks to Anna about her influences in exploring childhood on screen, citing Ratcatcher (Lynne Ramsay, 1999) and Walkabout (Nicolas Roeg, 1771), and about her excitement to be showing the film at Glasgow Film Festival.

Thank you to our partners for this episode, Glasgow Film Festival.

The festival runs from 28 February to 10 March.

To buy tickets visit the Glasgow Film Festival website glasgowfilmfest.org/home/

Love Lies Bleeding is in UK cinemas from 3 May 2024.

You can watch The Teacher in Glasgow on Monday 4 March 2024 at 6pm and Tuesday 5 March 2024 at 3.15pm.

You can watch Edge of Summer in Glasgow on Friday 8 March 2024 at 8.30pm and Saturday 9 March 2024 at 3.45pm.

Other films mentioned in the podcast:
The Mask (Charles Russell, 1994)
Origin (Ava DuVernay, 2023)
The Dead Don’t Hurt (Viggo Mortensen, 2024)
Lousy Carter (Bob Byington, 2023)
The Teacher’s Lounge (Ilker Catak, 2023)
Thelma and Louise (Ridley Scott, 1991)
Walkabout (Nicolas Roeg, 1971)
Ratcatcher (Lynne Ramsay, 1999)
The Present (Farah Nabulsi, 2021)
Saint Maud (Rose Glass, 2019)
Girl (Adura Onashile, 2023)
Daisies (Vera Chitylova, 1966)

The views and opinions expressed in this podcast are those of the speakers and not necessarily those of the organisation or its affiliates.

You can listen to the podcast here.

This episode features the tenth Oscar winner to appear on Girls On Film. Anna Smith hears from Academy Award winner Olivia Colman who stars opposite Jessie Buckley and Anjana Vasan in the black comedy Wicked Little Letters. She also speaks to the film’s director, Thea Sharrock, and historical consultant Emily Cockayne about bringing this remarkable true story to the big screen.

The film follows two neighbours: conservative local Edith Swan (played by Olivia Colman) and rowdy Irish migrant Rose Gooding (played by Jessie Buckley). When Edith and fellow residents begin to receive the letters, foul-mouthed Rose is charged with the crime. Anjana Vasan plays Police Officer Gladys Moss, who suspects that Rose may not be the culprit after all…

Firstly, Anna speaks with Anjana and Thea about balancing the comedy with some of the more poignant moments in the film. They discuss Anjana’s character Gladys Moss, who is based on the first woman Police Officer in Sussex, and talk about the contemporary relevance of poison pen letters.

Next up Anna hears from historical consultant Emily Cockayne, whose book Cheek By Jowl: A History of Neighbours details some of the scandal caused by the Littlehampton case in the 1920s.

Finally, Anna is joined by the two stars of the film, Olivia Colman and Jessie Buckely, who recall their delight in receiving Jonny Sweet’s script. Olivia talks about her background in comedy, and the pair give an insight into the set of Wicked Little Letters when they discuss their musical collaboration.

WICKED LITTLE LETTERS is released in UK and Irish cinemas on 23 February 2024.

You can listen to the podcast here.

As we post this episode, we’re coming up to the third annual Girls On Film Awards 2024. They take place on Tuesday 20 February 2024 at Regent Street Cinema in London. We’ll celebrate the brilliant work made by women in film and will be joined by nominees, industry supporters and listeners.

We give awards in 12 categories, and the undisputed climax of the night will be the award for the category ‘Female Orgasm on Screen, sponsored by Intimacy On Set’ for the second year running. In this episode, Intimacy On Set founder Ita O’Brien talks with Hedda Lornie Archbold, Girls On Film co-founder, about the four nominated films in this category: Fair Play, Joy Ride, Poor Things and Saltburn, as well as about some of the other notable films of the past year.

Ita O’Brien is an Intimacy Coordinator and Movement Director for film, television, and theatre. Since 2014, she has been developing best practice when working with intimacy, scenes with sexual content, and nudity in film, TV, and theatre. Ita pioneered the role of Intimacy Coordinator, which is being adopted in leading production houses, including HBO, Netflix, and the BBC. Ita founded Intimacy on Set to provide trained, professional Intimacy Coordinators to the industry.

Also in this episode, Anna Smith recommends some great films by women filmmakers in the run up to International Women’s Day 2024.

Films mentioned in this episode:
Men Up
Saltburn
Poor Things
Fair Play
Joy Ride
How To Have Sex
Barbie
Oppenheimer
Memory
Four Daughters
Copa 71
Origin

Operas mentioned in this episode:
Anthony and Cleopatra

Television series mentioned in this episode:
Bridgerton
Brave New World

Men Up is on BBC iPlayer
Fair Play is on Netflix
Joy Ride is streaming platforms including Apple TV.
Saltburn is on Prime Video
Poor Things is on streaming platforms including Prime Video and Apple TV from 27 February 2024.

You can listen to the podcast here.

In today’s episode, Anna Smith talks to members of the the Girls On Film community about Nyad, starring Annette Bening and Jodie Foster, which tells the remarkable true story of athlete Diana Nyad.

An athlete turned journalist, Diana Nyad made an incredible vow when she turned 60. She was determined to become the first person to swim 110 miles from Cuba to Florida, without a shark cage. She was supported by a team including her best friend and coach Bonnie Stoll.

Directed by Elizabeth Chai Vasarhelyi and Jimmy Chin, the film has a Best Actress Oscar nomination for Annette Bening as Diana, and Supporting Actress for Jodie Foster as Bonnie. The bond between Diana and Bonnie is beautifully depicted, whether they are sharing witty banter, second guessing each other or finding their strong friendship tested by Diana’s relentless and risky ambition. It’s the reason that Nyad is nominated for the Female Friendship on Screen award at the 2024 Girls On Film Awards.

In partnership with Netflix we arranged a special Girls On Film screening of Nyad, the feature written by Julia Cox, adapted from the memoir Find A Way by Diana Nyad. We invited some of the Girls On Film community to watch this extraordinary true story on the big screen, followed by a discussion about some of the themes of the film, including friendships between women, achieving your goals no matter what your age, and the great pleasure of seeing the story of two complex, older lesbian characters on screen in mainstream cinema.

Thanks to our partners for this episode, Netflix UK

You can listen to the podcast here.

In this episode of Girls On Film, Anna Smith talks to the creator and showrunner of Mr. & Mrs. Smith, Francesca Sloane.

Mr. & Mrs. Smith is a series inspired by the 2005 film by Doug Liman and Simon Kinberg. It stars Maya Erskine and Donald Glover as two lonely strangers who land jobs working for a mysterious spy agency, and are given new identities in an arranged marriage as Mr. and Mrs. John and Jane Smith. The eight-part series explores their relationship as they take on each new mission, with an all-star supporting cast including Parker Posey, Paul Dano, Sharon Horgan, Michaela Coel and more.

In this conversation, Francesca discusses the conception of Mr. & Mrs. Smith and how she moved from being offered jobs ‘cleaning in her underwear’ in LA to being the showrunner of this series. She speaks to Anna about subverting gender roles in this reimagining of the 2005 film starring Brad Pitt and Angelina Jolie, and turning Donald Glover into a ‘Bond Girl’ figure. She also talks about the unique experience of leading a writing room made up exclusively of women of colour, and how the plot of the series came to interrogate questions of race and visibility.

Mr. & Mrs. Smith is available on Prime Video now.

You can listen to the episode here.

Best actress Oscar nominee Lily Gladstone joins Anna to discuss her powerful performance in Martin Scorsese’s American chronicle crime thriller Killers of the Flower Moon, now streaming globally on Apple TV+.

Gladstone’s Mollie Kyle is an Osage Native American, and heir to the oil-rich, Osage-owned land in 1920s Oklahoma that white settlers are desperate to get their hands on. By turns richly emotional and crackling with humour, her nuanced portrayal foregrounds the story of Mollie and her fellow women in the community as an integral part of the film. Making history as the first Native American woman to receive a best actress nomination, Lily’s performance is a powerful testament to the suffering of the Osage women, and their incredible strength in the face of it.

She joined Anna after a screening of the film in Soho’s Ham Yard Hotel, where she shared the depth of her preparation for the role, from spending time with the real Mollie’s family to wearing a 100-year-old Osage blanket as part of her costume. She talks working with Leonardo DiCaprio and Martin Scorsese – now the most nominated living director in Oscars history. Praising his skill and sensitivity in telling the story of Killers of the Flower Moon, she also makes a call to support Native American filmmakers bringing their own narratives to the screen – and answers questions from our audience.

You can listen to the podcast here.