In a live episode recorded at the London Podcast Festival, we chat to some of the women behind two big titles on the small screen: Back To Life and Sex Education.

First up, creator and star of Back To Life Daisy Haggard chats to Anna about her darkly comic BBC drama, as the show’s second series hits our screens. From teenage fashion and tamagotchis to social attitudes to female criminals, they discuss the stories behind the series. Plus, she shares her directorial daydreams of helming a feminist Jaws…

Next, Chinenye Ezeudu joins us to talk about her role in the Netflix smash Sex Education. She hints at what’s to come for her character Viv in the forthcoming series 3, and gives a glimpse into her own future acting and writing projects.

Finally, Chinenye’s collaborator and director of Sex Education series 2 Alice Seabright takes to the stage to talk about her work on the show. We hear about her fab feminist short films and upcoming TV series Chloe — plus she tells us about her experience of working with top intimacy coordinator Ita O’Brien, and what slug sex has got to do with shooting an intimate scene…

All three of our guests give us some stellar watchlist recommendations, and shoutout the women in the industry who have inspired them. Plus, our guests tackle some fascinating questions in a Q&A with our live audience.

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From a 70s feminist classic to a musical drama about the Deaf community, this episode is a summer medley of female-focused film chats that were too good to miss.

First up, Girlfriends director Claudia Weill chats to Anna about making the 1978 hidden gem, how feminism has changed since the salad days of the second-wave, and busting Jewish screen stereotypes of the era.

Next, we hear from two stars of arthouse smash hit and Girls On Film favourite Portrait Of A Lady On Fire — both of whom have just screened directorial debuts at Cannes. Noémie Merlant tells us about her new film ‘Mi Iubita Mon Amour’, a drama of unexpected romance on a Romanian hen-do gone wrong. Her Portrait co-star Luàna Bajrami shares her empowering snapshot of rebellious girlhood in Kosovo, ‘The Hill Where Lionesses Roar’ — and of course we talk Céline Sciamma too!

And finally the director and star of new musical hit CODA join us to discuss the movie, which takes its name from the acronym for Child Of Deaf Adults. Director Sian Heder talks taking on the extraordinary tale and working with the Deaf community, while star Emilia Jones shares the skills she learned while playing the role — from American Sign Language to trawler fishing.

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From intimacy scenes to industry tips, our fun feminist film chat went down a treat at Latitude Festival’s The Listening Post in July 2021. We were ecstatic to be back on stage for the first time since March 2020!

First, Kerry chats to Anna about her directorial debut Topping Out and the short film’s unique depiction of male vulnerability. She further discusses the challenges of filming on scaffolding, explains the importance of the focus puller, and recalls working with director Jane Campion. They have an interesting discussion about the negatively gendered use of the word “difficult”. From Intimacy (2001) to Rare Beasts (2021), keep listening to hear more about Kerry’s acting experiences.

Next, our Assistant Producer and occasional Audio Producer Elliana joins Kerry and Anna on stage. She discusses being a young woman trying to break into the film and tv industries, and offers an insight into the inner workings of the Girls On Film podcast over the past year. Stay tuned for tips from both Elliana and Kerry on entering the industry.

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Horror experts and Censor filmmakers talk gender, guts and gore – and the things we might not want to remember…

First up, critics Clarisse Loughrey and Leila Latif get to the guts of the exciting new British horror film Censor, celebrating its role in the female horror renaissance. They debate the movie’s meta-messages and share their own experiences of the video nasties era – or, in Clarisse’s case, the stateside ‘Satanic Panic’.

Next, Censor director Prano Bailey-Bond and star Niamh Algar join Anna to discuss the retro chiller, set amidst the moral panic of the 1980s video nasties craze. Niamh reveals her experience of playing the movie’s highly-strung film censor Enid, whose repressed trauma rises to the surface thanks to one of the gory slashers she’s handed for the snip. From cult horror to the culture wars, Prano shares her inspirations and fascinating research for the film – plus what it was like to shoot its more stomach-churning scenes!

From the feminist highlights of Censor to overdue reappraisals of genre-classics, there’s plenty to chew on for fans of a psychological scare.

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